On the reverse. Some notes on photographic images from the Warburg Institute Photographic Collection
How can the visual and textual data about an image – the image of a work of art – on recto and verso of a picture be interpreted? An analogical-art-documentary photograph represents a palimpsest to be considered layer by layer. The examples discussed in this article, which refer to both Aby Warburg...
Đã lưu trong:
| Tác giả chính: | |
|---|---|
| Định dạng: | Sách |
| Năm xuất bản: |
2018
|
| Chủ đề: | |
| Truy cập Trực tuyến: | http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3869 |
| Tags: |
Thêm thẻ
Không có thẻ, Hãy là người đầu tiên gắn thẻ bản ghi này!
|
| id |
oai:localhost:DHQB_123456789-3869 |
|---|---|
| recordtype |
dspace |
| spelling |
oai:localhost:DHQB_123456789-38692019-09-03T03:35:16Z On the reverse. Some notes on photographic images from the Warburg Institute Photographic Collection Katia Mazzucco Photography Reproduction How can the visual and textual data about an image – the image of a work of art – on recto and verso of a picture be interpreted? An analogical-art-documentary photograph represents a palimpsest to be considered layer by layer. The examples discussed in this article, which refer to both Aby Warburg himself and the first nucleus of the Warburg Institute Photographic Collection, contribute to effectively outline elements of the debate around the question of the photographic reproduction of the work of art as well as of the position of photography in relation to the perception of the work of art. 2018-08-24T03:26:55Z 2018-08-24T03:26:55Z 2018 Book http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3869 |
| institution |
Trung tâm Học liệu Đại học Quảng Bình (Dspace) |
| collection |
Trung tâm Học liệu Đại học Quảng Bình (Dspace) |
| topic |
Photography Reproduction |
| spellingShingle |
Photography Reproduction Katia Mazzucco On the reverse. Some notes on photographic images from the Warburg Institute Photographic Collection |
| description |
How can the visual and textual data about an image – the image of a work of art – on recto and verso of a picture be interpreted? An analogical-art-documentary photograph represents a palimpsest to be considered layer by layer. The examples discussed in this article, which refer to both Aby Warburg himself and the first nucleus of the Warburg Institute Photographic Collection, contribute to effectively outline elements of the debate around the question of the photographic reproduction of the work of art as well as of the position of photography in relation to the perception of the work of art. |
| format |
Book |
| author |
Katia Mazzucco |
| author_facet |
Katia Mazzucco |
| author_sort |
Katia Mazzucco |
| title |
On the reverse. Some notes on photographic images from the Warburg Institute Photographic Collection |
| title_short |
On the reverse. Some notes on photographic images from the Warburg Institute Photographic Collection |
| title_full |
On the reverse. Some notes on photographic images from the Warburg Institute Photographic Collection |
| title_fullStr |
On the reverse. Some notes on photographic images from the Warburg Institute Photographic Collection |
| title_full_unstemmed |
On the reverse. Some notes on photographic images from the Warburg Institute Photographic Collection |
| title_sort |
on the reverse. some notes on photographic images from the warburg institute photographic collection |
| publishDate |
2018 |
| url |
http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3869 |
| _version_ |
1717292452805607424 |
| score |
9,463379 |