Percezione
The essay concerns the notion of realism and its relationship with the notion of perception. The ontological meaning of aesthetics as aisthesis is in fact in the non-amendable nature of perception. From this non-amendability the essay outlines four traces through which aisthesis leads to realism: “n...
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Định dạng: | Sách |
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2018
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Truy cập Trực tuyến: | http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3862 |
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oai:localhost:DHQB_123456789-38622019-09-03T03:35:16Z Percezione Maurizio Ferraris Realism; Perception The essay concerns the notion of realism and its relationship with the notion of perception. The ontological meaning of aesthetics as aisthesis is in fact in the non-amendable nature of perception. From this non-amendability the essay outlines four traces through which aisthesis leads to realism: “nonconceptual content”, “object”, “naivety”, “ontology”. 2018-08-24T02:14:47Z 2018-08-24T02:14:47Z 2018 Book http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3862 |
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Trung tâm Học liệu Đại học Quảng Bình (Dspace) |
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Trung tâm Học liệu Đại học Quảng Bình (Dspace) |
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Realism; Perception |
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Realism; Perception Maurizio Ferraris Percezione |
description |
The essay concerns the notion of realism and its relationship with the notion of perception. The ontological meaning of aesthetics as aisthesis is in fact in the non-amendable nature of perception. From this non-amendability the essay outlines four traces through which aisthesis leads to realism: “nonconceptual content”, “object”, “naivety”, “ontology”. |
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Maurizio Ferraris |
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Maurizio Ferraris |
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Maurizio Ferraris |
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2018 |
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http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3862 |
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1717292452120887296 |
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9,463379 |