El SIDA en la literatura latinoamericana: prácticas discursivas e imaginarios identitarios
The present article proposes a revisión of AIDS imaginary —understanding the disease as a discursive practice— in three Latin-American works of literature: Salón de belleza, by Mario Bellatín, Loco afán, by Pedro Lemebel, and Fernando Vallejo's El desbarrancadero, looking into the implications...
Đã lưu trong:
| Tác giả chính: | |
|---|---|
| Định dạng: | Sách |
| Năm xuất bản: |
2018
|
| Chủ đề: | |
| Truy cập Trực tuyến: | http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3858 |
| Tags: |
Thêm thẻ
Không có thẻ, Hãy là người đầu tiên gắn thẻ bản ghi này!
|
| Tóm tắt: | The present article proposes a revisión of AIDS imaginary —understanding the disease as a discursive practice— in three Latin-American works of literature: Salón de belleza, by Mario Bellatín, Loco afán, by Pedro Lemebel, and Fernando Vallejo's El desbarrancadero, looking into the implications of working discursively with the topic of a disease of high social sensibility. Bringing the imaginary of aids to the public sphere leads to a reflection about boundaries, norms and power, linking these issues with sexuality and desire. Diverse and complex lines of discourses converge in the place created by literary works, turning AIDS into a mobile platform that allows for a transfer between theoretical, autobiographical and aesthetic thinking, stating the disease as a foundation of an aesthetic and subversive identity project. |
|---|