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‘Towards an “exakte Kunstwissenschaft”(?). Part II: The new German art history in the nineteenth century: a summary of some problems'

This article is based on what has been outlined in ‘Part I’ and on additional references to other new German work, as well as to articles by two of the protagonists of the 1870s and 1880s, Anton Springer and Moritz Thausing. The central issue is the nineteenth century’s desire for a Verwissenschaftl...

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Tác giả chính:	Muthesius, Stefan
Ngôn ngữ:	English
Năm xuất bản:	Department of Art History, University of Birmingham 2018
Chủ đề:	Fine Arts Recreation Geography Arts in general Anthropology
Truy cập Trực tuyến:	http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3696
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spelling	oai:localhost:DHQB_123456789-36962018-10-22T08:44:33Z ‘Towards an “exakte Kunstwissenschaft”(?). Part II: The new German art history in the nineteenth century: a summary of some problems' Muthesius, Stefan Fine Arts Recreation Geography Arts in general Anthropology Anthropology This article is based on what has been outlined in ‘Part I’ and on additional references to other new German work, as well as to articles by two of the protagonists of the 1870s and 1880s, Anton Springer and Moritz Thausing. The central issue is the nineteenth century’s desire for a Verwissenschaftlichung of the subject, to render the subject ‘purely scientific’. Principally this concerns the way in which older kinds of connoisseurship were juxtaposed to the new claims of a strictly ‘historical’ approach. Much shorter sections touch on aspects of style, iconography and form, as well as on the history of the provision of illustrations. 2018-07-19T08:35:05Z 2018-07-19T08:35:05Z 2018 http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3696 en Department of Art History, University of Birmingham
institution	Trung tâm Học liệu Đại học Quảng Bình (Dspace)
collection	Trung tâm Học liệu Đại học Quảng Bình (Dspace)
language	English
topic	Fine Arts Recreation Geography Arts in general Anthropology Anthropology
spellingShingle	Fine Arts Recreation Geography Arts in general Anthropology Anthropology Muthesius, Stefan ‘Towards an “exakte Kunstwissenschaft”(?). Part II: The new German art history in the nineteenth century: a summary of some problems'
description	This article is based on what has been outlined in ‘Part I’ and on additional references to other new German work, as well as to articles by two of the protagonists of the 1870s and 1880s, Anton Springer and Moritz Thausing. The central issue is the nineteenth century’s desire for a Verwissenschaftlichung of the subject, to render the subject ‘purely scientific’. Principally this concerns the way in which older kinds of connoisseurship were juxtaposed to the new claims of a strictly ‘historical’ approach. Much shorter sections touch on aspects of style, iconography and form, as well as on the history of the provision of illustrations.
author	Muthesius, Stefan
author_facet	Muthesius, Stefan
author_sort	Muthesius, Stefan
title	‘Towards an “exakte Kunstwissenschaft”(?). Part II: The new German art history in the nineteenth century: a summary of some problems'
title_short	‘Towards an “exakte Kunstwissenschaft”(?). Part II: The new German art history in the nineteenth century: a summary of some problems'
title_full	‘Towards an “exakte Kunstwissenschaft”(?). Part II: The new German art history in the nineteenth century: a summary of some problems'
title_fullStr	‘Towards an “exakte Kunstwissenschaft”(?). Part II: The new German art history in the nineteenth century: a summary of some problems'
title_full_unstemmed	‘Towards an “exakte Kunstwissenschaft”(?). Part II: The new German art history in the nineteenth century: a summary of some problems'
title_sort	‘towards an “exakte kunstwissenschaft”(?). part ii: the new german art history in the nineteenth century: a summary of some problems'
publisher	Department of Art History, University of Birmingham
publishDate	2018
url	http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3696
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score	9,463379

‘Towards an “exakte Kunstwissenschaft”(?). Part II: The new German art history in the nineteenth century: a summary of some problems'

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