Please use this identifier to cite or link to this item: http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3933
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dc.contributor.authorJeana, Jorgensen-
dc.date.accessioned2018-09-04T02:09:50Z-
dc.date.available2018-09-04T02:09:50Z-
dc.date.issued2018-
dc.identifier.urihttp://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3933-
dc.description.abstractIn this paper, I explore how contemporary American practitioners of belly dance (as Middle Eastern dance and its many varieties are often called in the English-speaking world) conceptualize not only the spiritual dimensions of their dance, but also how the very notion of performance affects sacred and spiritual dance practices. Drawing on interviews with this community, I describe the techniques of sacred and spiritual belly dancers, how these dancers theorize performance, and how the conflicts inherent to patriarchal mind-body dualism are resolved in these practices. My purpose here is twofold: to document an emergent dance tradition and to analyze its meanings in the relevant social context.en_US
dc.language.isoenen_US
dc.publisherUniversity of Tartu, Estonian National Museum, Estonian Literary Museumen_US
dc.subjectdanceen_US
dc.subjectbelly danceen_US
dc.subjectspiritualityen_US
dc.subjectsacred danceen_US
dc.subjectfeminismen_US
dc.titleDancing the Numinous: Sacred and Spiritual Techniques of Contemporary American Belly Dancersen_US
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